The ten designers who contributed patterns are listed on the back.
The book begins with 12 pages outlining the history of home sewing in New Zealand. Who sewed and why they did it, along with examples from several. As one with a keen interest in the history and evolution of dress, this fascinates me. (I mean "dress" in its broadest sense, encompassing all body modifications - everything a person does that alters their body from its natural state. That includes the temporary, such as hair styling and make up, as well as the permanent, such as tattooing and scarification. Hmm, does it show that I really really enjoyed my Social Psychology of Clothing lectures?) Twelve pages is not a comprehensive account, but it gives a very good outline of how things were in New Zealand and how that affected the desire or need to sew for oneself.
Then come the patterns, each with a brief profile of the designer. This is Cybele Wiren's profile and design.
(As an aside, I have finished my dress, but I am not going to photograph it until I have made a nice wide obi-style belt to wear with it.)
This skirt, from Papercut Patterns, is also available for sale here. Katie Brown, the designer of Papercut, is also responsible for developing the patterns, lay plans and tutorials in the book. The book is also available for sale on the Papercut website, here.
This versatile dress from Starfish is another one which caught my eye. It can be worn like this:
Or one of these ways. My apologies for the really crappy photos. I gave up in the end trying to get anything better.
I was really attracted to the line drawing of the main pattern piece. This will be made just as soon as the appropriate fabric presents itself.
As will this striped skirt by Vaughan Geeson. Those stripes are pieced. And curved. Can't wait!
At the back are several photo tutorials covering techniques used in the book.
Patterns are printed on pattern sheets, with each pattern in a different colour. I did find while tracing my dress that the two very similar pieces were so close together that I had to keep checking that I didn't veer off into the other piece as I traced. Not a big deal, but it did require care. Some patterns are multisized, but most are given in a single size - NZ10, 12 or medium, so you either need to fit that size or know how to grade.
The only thing that has so far caught my eye as an inconsistency is the difference between the photo of the T shirt from World:
And the line drawing.
Those paying attention will have noticed that the pattern lays are for a single layer - yay! Most of the patterns appear to be given as full pieces as well, rather than half patterns to be cut on the fold. (I haven't checked all of them, but the two I have traced are full pieces, as is everything else I've noticed. The exception seems to be the Swirler (multi-wear) dress by Starfish, which is given as a half pattern, probably because its pretty big. The pattern lay is single layer though.)
As I mentioned in my last post, instructions are minimal, making some of the designs challenging for beginners to sew. But what fun to have my own Cybele dress for the princely sum of NZ$15 for the pattern (based on NZ$45 for the book, used for three patterns, therefore $15 each) and $3 for the fabric. I love this book, and I love that this book has been written, and I am grateful that ten New Zealand designers each contributed a pattern to celebrate the long history of home sewing, and to help keep it going.